George Benson, 2009
George Benson on Identity develops partly through the unexpected uses, loyalties, and responses that other people bring to a body of work.
Don't Just Read it – Explore It
George Benson on Identity develops partly through the unexpected uses, loyalties, and responses that other people bring to a body of work.
Carlos Santana on Sustained passion keeps attention active and can make long careers receptive to new partners, technologies, and possibilities.
Rhiannon Giddens on New forms often emerge from reciprocal listening among people who bring distinct histories rather than from isolated novelty alone.
Stevie Wonder on Popular music can carry a community’s experience into a wider conversation without giving up rhythm, pleasure, or technical invention.
Paul Simon on Added complexity can deepen a work while narrowing immediate access, forcing creators to decide which form best serves the idea.
Herbie Hancock on A durable identity can contain reinvention when core curiosity remains stronger than the demand to repeat a familiar success.
Wynton Marsalis on Freedom in an ensemble is generative when one person’s invention creates room for other people to become more fully themselves.
Quincy Jones on Creative careers develop through changing relationships among preparation, opportunity, judgment, collaboration, failure, and timing.
B.B. King on Influence becomes creative when study is absorbed into a voice that carries the learner’s own history, body, and decisions.
Al Jarreau on A milestone often rests on the patience of people who remained present while a voice, audience, and career were still developing.
Chaka Khan on A performance gains force when the artist’s technical ability is joined by a real relationship to the material.
Nancy Wilson on A musical experience can temporarily organize strangers around listening, rhythm, and a common recognition of human feeling.